Eames Hang-It-All
by Herman Miller

$ $195.00 + Free Shipping

Eames Hang-It-All

by Herman Miller
SKU# 562
Herman Miller Authorized Retailer
$ $195.00 + Free Shipping
QUICK SHIP: IN-STOCK Free Same-Day Shipping (order by 2pm CT M-F)

Designed by Charles and Ray Eames

With their Hang-It-All, Charles and Ray Eames elevated the everyday coat rack into something inventive and fun. First crafted with multicolored hooks and a white wire frame, the material and colorway offering has since expanded with fidelity to the sophistication—and sense of play—of the original.

To create the rack’s wire frame, which attaches to walls or other structures, Charles and Ray and the Eames Office applied the mass-production techniques for welding wires they had developed for earlier designs. The frame has a durable powder coat finish, and each of its angular bends is capped with solid wood balls. Still noted for its whimsy, the Hang-It-All is also appreciated as a useful piece of art.

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    Product Overview

    Eames Hang-It-All

    Do you struggle to find a place to hang belongings like coats, hats and work bags? Do you struggle to find a piece that's both sturdy enough to hold the weight of these objects, but also appealing to the eye?

    Look no further than the Eames Hang-It-All. Originally designed for children, the rack now offers adults the chance to utilize its cool and practical storage design. The piece can brighten up any home or work space, and features a number of elements sure to delight customers, including:

    • Multicolored, white, black or walnut spheres.
    • Durable powder coat finish.
    • Drywall mount anchors and screws for sturdy installation.

    The Eames Hang-It-All is a piece designed for functionality and fun, and can reawaken the children in all of us with its unique look.


    Eames Hang-It-All Features

    The Eames Hang-It-All is designed to add a unique pop of style to any home, office or work space. The piece offers both form and function to suit any environment.

    Multicolored wood spheres

    No matter what your design style, the Eames Hang-It-All has an option for you. Customers can choose between multicolored, white, black or wood spheres for hanging their belongings.

    Rod frame with powder finish

    Although the white wire frame is the original design, the rack now comes in a black finish as well. The Eames applied previously crafted techniques to weld the wires and create a durable structure with a number of angular bends.

    Drywall anchors and screws

    For easy - but weight-bearing - installation, the Eames Hang-It-All comes with drywall anchors and screws. These instruments enable you to place the piece anywhere you'd like to hold a number of personal objects.


    Dimensions & Measurements

    • Height: 14.426"
    • Width: 19.75"
    • Depth: 6.5"


    Product Options

      Product Options

      For any custom options below, call or chat with a product specialist to build.

      Color Options

      • Multi-color Spheres with White Wire
      • White Spheres with White Wire
      • Black Spheres with Black Wire
      • Walnut Spheres with White Wire
      • Walnut Spheres with Black Wire
      • Natural Maple Spheres with Dark Blue Wire - Custom

      Pride Edition

        Introducing the Eames Pride Hang-It-All. This newly dressed classic makes a bold statement about LGBTQ+ equality in our homes and workplaces. The new Pride Hang-It-All includes painted wooden spheres arranged in a rainbow of color representing the diversity of the LGBTQ+ community. This rainbow orientation includes black and brown colors, first introduced in 2017 to represent the inclusion of LGBTQ+ people of color.

    Design Story


      Ray Eames designed a variety of whimsical toys and furniture pieces specifically for children, including this 1953 piece for Tigrett Enterprises’ Playhouse Division. Why children’s products? For purely personal reasons: Charles and Ray wanted to give them to their own grandchildren and to the children of friends.

      The Hang-It-All—along with molded plywood animals, small-scale chairs and tables, elaborate cardboard-and-paper masks, and brightly colored building blocks—were all given the same careful design consideration as the couple’s furniture designs. To achieve the Hang-It-All’s spidery base, the Eameses used the mass-production techniques for welding wires that they developed for their wire-base tables and wire chairs.


      Charles and Ray Eames

      A chair that looked like a potato chip. Another that resembled a “well-used first baseman’s mitt.” A folding screen that rippled...

      With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the “Eames look.”

      That look and their relationship with Herman Miller started with molded plywood chairs in the late 1940s and includes the world-renowned Eames lounge chair, now in the permanent collection of the Museum of Modern Art in New York.

      Charles and Ray achieved their monumental success by approaching each project the same way: Does it interest and intrigue us? Can we make it better? Will we have “serious fun” doing it.

      They loved their work, which was a combination of art and science, design and architecture, process and product, style and function. “The details are not details,” said Charles. “They make the product.”

      A problem-solver who encouraged experimentation among his staff, Charles once said his dream was “to have people working on useless projects. These have the germ of new concepts.”

      Their own concepts evolved over time, not overnight. As Charles noted about the development of the Molded Plywood Chairs, “Yes, it was a flash of inspiration,” he said, “a kind of 30-year flash.”

      With these two, one thing always seemed to lead to another. Their revolutionary work in molded plywood led to their breakthrough work in molded fiberglass seating. A magazine contest led to their highly innovative “Case Study” house. Their love of photography led to film making, including a huge seven-screen presentation at the Moscow World’s Fair in 1959, in a dome designed by their friend and colleague, Buckminster Fuller.

      Graphic design led to showroom design, toy collecting to toy inventing. And a wooden plank contraption, rigged up by their friend, director Billy Wilder for taking naps, led to their acclaimed chaise design.

      A design critic once said that this extraordinary couple “just wanted to make the world a better place.” That they did. They also made it a lot more interesting.


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      Herman Miller® is a pioneer in the furniture industry, an innovator whose human-centered, problem-solving approach to design has introduced new ways of living and working for over 100 years. Environmentally-friendly design, lean manufacturing, ergonomics, the open office, even American modernism itself: Herman Miller and our designers have had a hand in shaping it all. In the spirit of our founder, D.J. De Pree, who established a willingness to abandon ourselves creatively to the influence of others, we’ve partnered with the world’s leading designers for generations—from midcentury icons George Nelson, Charles and Ray Eames, and Alexander Girard to Michael Anastassiades, Scholten & Baijings, Yves Béhar, and more of today’s leading design minds. Our work with them continues to explore design as a method of change, and the enriching value authenticity brings to our lives. Together, we’re shaping the new kinds of spaces where people will live and work for years to come.

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